JAMES
PATON
THE Superintendent of Glasgow Corporation art Galleries was
born at Auchtergaven, Perthshire, 15th April, 1843. On his own side he counts
kin with Robert Nicoll, the poet, and through his wife with Robert Burns
himself. He received his education at the school of his native parish, a private
school in Perth, and Edinburgh University, and he served an apprenticeship to
law in a writer's office in Perth. Then, going to Edinburgh, he accepted a
temporary situation in the Industrial Museum in 1861. There he remained for
fifteen years. In 1876 he came to Glasgow to take charge of the Kelvingrove
Museum, and in the following year he was made Curator also of the Corporation
Galleries in Sauchiehall Street.
At that time the galleries were altogether neglected, and it
was only by Mr. Paton's exertions that Glasgow became aware that it possessed
the most rare and valuable collection of pictures in the kingdom, outside of
London. Since his appointment he has seen many developments of his office.
Camphill Art Gallery, and the branch museum in the People's Palace at the Green
have been added to his charge, and in 1902, on the Corporation taking over the
magnificent new Art Galleries at Kelvingrove, the contents were moved thither of
the city's art collection in Sauchiehall Street, and the Natural History and
Archaeological Collection formerly in Kelvingrove House. Where at first he had a
single assistant he now has a staff of sixty, and the visitors to the various
collections under his charge number in ordinary times some twenty thousand a
week.
In connection with the organisation and opening of Museums,
Mr. Paton can claim an experience altogether unique. In Edinburgh he took an
active part in the installation in 1863 of the collections of what was first
called the Industrial Museum of Scotland in the range of houses in Argyle
Square, where the institution first was opened to the public. When, in 1866, the
first instalment of the Edinburgh Museum of Science and Art was opened he was
equally concerned in the transfer and re-arrangement of the collections; and the
second extension and remodelling of that institution was just completed before
Mr. Paton resigned his office under the Science and art Department. His first
duty on coming to Glasgow was the collecting and arranging of an exhibition of
local industries in the newly-finished wing of Kelvingrove Museum in connection
with the meeting of the British Association in 1876. At the close of that
meeting he had to fit out the hall as a technological museum, which character it
retained till the early part of 1900. Within a year the Corporation Galleries of
Art came under his care, and that institution had to be rehabilitated.
Thereafter exhibitions of special and local character, too numerous to mention,
were organised by him, partly in connection with the Corporation Galleries, and
partly in various districts throughout the city. It was on his instigation that
the Corporation, through the Museums and Galleries Committee, took up the
question of holding in 1888 an International Exhibition in Glasgow, and the
secretarial duties connected with that undertaking in its early stages fell upon
him. The wonderful collection of historical and personal relics in the Bishop's
Castle, the most valuable feature of the Exhibition, was made and arranged under
his supervision. Later he had in succession the formation and establishment of
the Camphill Gallery and Museum in Queen's Park and the Green Branch (People's
Palace) on Glasgow Green. His further experience was connected with the
organisation of the Fine Art and Scottish History Section of the International
Exhibition of 1901, which first occupied the permanent building erected as the
Art Gallery and Museum of Glasgow. For that section he acted as Honorary
Secretary, again in this concerning himself personally with the Scottish History
and Antiquarian Section. Finally he has crowned his labours with the
installation of the Art and Science Collections of the city within the Palace
erected for their accommodation. These, judged from the number of visitors, form
the most popular municipal museum in the world.
In connection with his work Mr. Paton has frequently visited
most of the great art galleries of Europe, and he is a recognised expert,
especially upon the art of the old masters. For years, too, he delivered weekly
lectures during winter in the Corporation Galleries on art subjects, drawing
large audiences. Among his many writings, he was an extensive contributor to the
great encyclopaedias - the Britannica, Chambers's, and the Globe; he
collaborated with Sir James Bell, Bart., in the volume on "Glasgow, its
Municipal Organisation and Administration;" he was largely the author of
"Scottish National Memorials;" for the "Book of Glasgow Cathedral" he wrote the
valuable chapter on the ancient connection of the Bishopric and the
Municipality; and he was the editor of the two memorial volumes on the Art and
Historical Section of the Glasgow International Exhibition of 1901. In 1896 he
was elected President of the Museums Association of the United Kingdom.
Mr. Paton married in 1866, Mary, daughter of Mr. James Kesson, Fordoun,
Kincardineshire.
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Index of Glasgow Men (1909)